But I would raise you one and say it takes a Girls Club to change the world.” “You’ve heard the phrase it takes a village to raise a child. “Through free, year-round, innovative programming, they connect young people with their passions, celebrate their curiosity and help channel their creative energy,” she said. She views her hit Netflix series “Russian Doll,” a comedic drama about a woman who relives her 36th birthday again and again, as a metaphor for outsiders coming together to survive. Lyonne has a proclivity - in her professional and personal life - for people who feel like they don’t belong. It’s so out of this world that you can literally go there and hang out on Mars or fly through the Milky Way at their planetarium! A planetarium, can you imagine… on 8th Street and Avenue D!” “Not just because they are my friends and neighbors, but because there is no other organization like it on the planet. That’s why it’s especially moving to be here celebrating the Lower East Side Girls Club,” Lyonne said. “As a young girl in New York City, I did not always have a place to go or other girls to learn from. Lyonne says she finds herself inspired by the organization, which was founded in 1996 to support girls and gender-expansive youth of color through mentorship and programming in STEM, the arts and other areas. She explained to me that there will be ups, and you should really try to enjoy them because you can also count on the downs too, but that holding on to yourself and the people you love, you can weather it.”īryant also praised Lyonne because she uses her celebrity for good, by volunteering at the Lower East Side Girls Club, a community center in Manhattan’s Alphabet City. “Natasha is a really great person to worry at because - and this is something I love about her - she has seen some shit,” Bryant said. At the time, the “Saturday Night Live” alum was newer to Hollywood and worried about “the potential ups and downs” that might come with her new career. Lyonne - honored at Tuesday’s fete alongside Judy Blume, Kelly Ripa, Rosie Perez and Michaela Jaé Rodriguez - was introduced by Aidy Bryant, who recalled her first time meeting Lyonne, about a decade ago in Reykjavik, Iceland. “Places to learn, to explore and to connect with other women.” “I have spent a lot of my adulthood creating places for myself to go,” Lyonne said. Singer Katy Perry was tweeted the hashtag #RudolphHaddish2020 in an apparent call for a joint ticket in the next presidential election, while others called for the dynamic duo to host the Oscars next year or star in their own film.More recently - as the itinerant sleuth Charlie Cale on Rian Johnson’s case-of-the-week mystery series “Poker Face” - she’s in “heaven” because she gets to work alongside guest stars like Alice Ju, Clea Duvall, Chloë Sevigny and Janicza Bravo. The pair's banter proved popular on Twitter, where celebrities and fans alike called for more Haddish-Rudolph collaborations. The two continued to poke fun at the complicated state of race relations in the United States before presenting two awards. I'm personally not a fan of white people with clipboards because I'm always wondering what they're writing down about me." "Not just movie stars, there are white people walking around with headsets, white people with clipboards. We just came from backstage, and there are tons of them back there," Haddish said. "We just want to say don't worry, there are so many more white people to come," Rudolph answered. "When we came out together, we knew some of you were thinking, 'Are the Oscars too black now?'" Haddish asked to laughs. LOS ANGELES - At the conclusion of an awards season that took on a more serious tone amid calls for equality and diversity championed by the Time's Up movement and others, two of comedy's sweethearts turned it all on its head.Īfter Maya Rudolph and Tiffany Haddish walked out onto the Oscars stage, high-heels in hand ("We are so happy to be here, but our feet hurt," Haddish quipped), they poked lighthearted fun at #OscarsSoWhite, 2015's social media campaign calling for more diversity in the film industry after years of overwhelmingly white nominees and winners.
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